I'm Thom. I live in Berlin, work at SoundCloud, read and write about technology, distribute high fives, long for my backpack, nerd out over data and listen to indier bands than you do.
New Andrew Bird track is a little less fragile, at least on the inside out, than before, with a driving, rousing chorus. Of course it leads to a little bit of whistling in the coda but what else are you expecting. Limited edition vinyls available over on http://www.andrewbird.net/
Genesis by Grimes
New track from Grimes, preceding her third album Visions, is as ethereal, sensual and chic as ever. Maybe moreso.
shared from exfm
The new single from The Mary Onettes is a characteristically poppy affair but the Cure-ism has been dialed-up a notch. This is taken from the EP “Love Forever” out on February 28 on Labrador. Sounds like it could be a sappy affair but I kinda like it…
Order the 12” vinyl from their store (but be quick since there’s only 1000 copies)

I discovered Escort through a club remix of the first track on this album, Caméleon Chameleon, which first appeared on an NPR podcast and then in my SoundCloud feed. Now I’m listening to the full album, thanks to the power of the internet. These guys are funky as hell, rediscovering the old disco roots of Brooklyn via the medium of gloriously upbeat tracks mixed with a sly sense of modernism. Officially tipping Escort as a live band for 2012…
Dear readers…. you may have noticed something of a winter hibernation here on HotSpotMusic. 2012 has brought about many changes and how we run HotSpotMusic will be one of them. It has always been my intention to write about music in the way that I consume it - full albums - and to find music to share with others in a simple, unpretentious way. And so it must continue.
Since I neither have the time nor energy to maintain the both the quality and quantity of output that this blog and you deserve I am forced to choose…. Therefore, from this week HotSpotMusic will continue in one of two ways:
1. If you love the current format (simple album reviews, on time and on the money) then come write for us! Demands are simple: love music, love writing and have time for both.
2. HotSpotMusic will change - I will continue to post but will increase the scope - not just album reviews but videos, playlists, single tracks, remixes and more. From all over the place too, SoundCloud, exfm, 8tracks, Spotify, Rdio and more. Reviews will be shorter but more plentiful. It won’t be the HotSpotMusic we’ve come to know, but it will still exist and maybe there will be more new music as a result.
Got an opinion on how to keep things afloat? Let me know! Otherwise, get ready for some unfiltered, unadulterated, unbelievable tunes coming your way soon.
It’s a whole new week which means we have a whole new batch of Tastemakers for your listening pleasure. Press play on this tasty ear candy!
Honoured to be included on the exfm tastemakers list.

What better way to kick off the new year than a whole month’s worth of songs by this humble blogger’s favourite English troubadour, Mr Darren of Hayman. This time last year, he was just setting out on a valiant quest: to write, create and record a new track each and every day during January, which you can still review over on the blog. Accompanied by the talents of friends and artists alike, January Songs is a 31 gun salute to endeavour and to new years resolutions. He’ll even be performing them all in a series of gigs this month so if you’re lucky enough to be in England, be sure to see it.

Now seems to be the appropriate time to be sharing this record, given its title. The echo of the summer is heard louder than the echo of Sin Fang’s last album, Clangour, a delightfully scatty collection of ideas. This one is more focused, more of an album and more folky.
Part of the 2011 winter clearout - albums not reviewed when they came out but still worth sharing before the end of year lists hit.
Original release date: 21 March 2011

Another one where serious questions have to be asked about this writer’s taste and dedication as to why it wasn’t posted 6 months ago. Burst Apart is a sonically stretching follow-up to the cathartic Hospice (another of 2009’s sleeper hits) that elevates the themes to something less likely to make you bawl but soar instead. The epic opener I Don’t Want Love sets the album off at the right pace as a heartfelt and yet self-undermining protest and the rest of the album continues just as brightly. Great stuff.
Part of the 2011 winter clearout - albums not reviewed when they came out but still worth sharing before the end of year lists hit.
Original release date: 10 May 2011

The Rip Tide is an excellent album that, much like the rest of Zach Condon’s discography is something of a slow burn (whilst being characteristically recognisable). Not sure why it took so long to get round to it here but with tracks like East Harlem and the title track, it’s strong enough to comfortably slot into the end of year lists.
Part of the 2011 winter clearout - albums not reviewed when they came out but still worth sharing before the end of year lists hit.
Original release date: 30 August 2011

I Want That You Are Always Happy is the full debut album of Australian septet, The Middle East. It follows their sumptuous EP (cleverly titled The Recordings of the Middle East) from last year and follows that up with more downbeat folk that doesn’t sound dissimilar from what the blender would sound like if you threw a Fleet Foxes CD in there with a Low Anthem record and a Jet minidisc. Just kidding about the Jet (ah, the fate of poor Australian bands) so maybe replace that with some barley. Yes, that’d go quite nicely. Much like this album. Won’t hit the end of year top 25 but it’s a pleasant enough record.
Part of the 2011 winter clearout - albums not reviewed when they came out but still worth sharing before the end of year lists hit.
Original release date:

Landing right at the beginning of this year, HotSpotMusic missed out on Anna Calvi. Despite having the unfortunate albatross of one of the BBC’s Sound of 2011 acts hanging round her neck (although this was perhaps offset by Brian Eno referring to her as the best thing since Patti Smith), her tightly composed debut is a grand work. There are definite elements of PJ Harvey but it is the dark, dense power of this album that makes songs like Desire and The Devil stand out amongst other contemporary female performers such as Florence & The Machine or EMA. This has only spun a few times but it may well get a few more… and if that’s not enough, she’s covered Wolf Like Me too.
Part of the 2011 winter clearout - albums not reviewed when they came out but still worth sharing before the end of year lists hit.
Original release date: 17 Januaruy 2011

Trust Bjork to release her latest album not as a traditional record but as an ever unfolding series within an iPad app. Always at the forefront of music and innovation, Bjork’s album was beautiful and somewhat revolutionary. The music in it was less pioneering than the format perhaps, but that’s only because we set such high expectations on her. Sumptuously constructed and genre hopping, Biophilia is an experiment in what sound represents in the third millennia and it delivers strongly.
Part of the 2011 winter clearout - albums not reviewed when they came out but still worth sharing before the end of year lists hit.
Original release date: 11 October 2011

Six years after Clap Your Hands Say Yeah!’s definitive, eponymous debut and four years after the disappointing, loud and nonsensical followup, Some Loud Thunder, came Hysterical. A marvellous collection of quirky indie pop that returns to the lighter side of CYHSY! whilst bringing a more well-rounded maturity to the track list.
Part of the 2011 winter clearout - albums not reviewed when they came out but still worth sharing before the end of year lists hit.
Original release date:

Much has been said of Real Estate’s ability to effectively simulate the halcyon days of the past. But in today’s nostalgia-addled, originality whirlpool that is no longer the key skill - what makes Days really work is the consistently enjoyable songwriting. Clearly a homage to early REM jangle as much as it is to the summer houses of their youth (and the guitar effects pedals that take them back to both those time periods), the ten tracks here are the equal elixir for memory and ignorance. A great follow-up to 2009’s self-titled debut from the New Jersey based trio.
Part of the 2011 winter clearout - albums not reviewed when they came out but still worth sharing before the end of year lists hit.
Original release date: 18 Oct 2011
Soaring above the rest of its indie brethren, the bold, majestic eagle doesn’t have time to think about such trivial things as itself or the complexities of being alone. It must fly to stay alive and it must kill to stay strong. And that is why, the eagle is the not-so-indie-animal.
Click here: Not-so-indie Animal: The Eagle

A universally epic sound, gradually swelling songs in a rare-double length LP and the controversial use of a saxophone marked out M83’s return to the public sphere. Hurry Up, We’re Dreaming could have been the album title for about 40% of all indie releases since the summer of 2010 but at least Anthony Gonzales’s effort tries to capture the urgency in the beginning of that statement whilst letting the latter drift as your imagination wanders the way of the second part of the album (i.e. into the distance).
Part of the 2011 winter clearout - albums not reviewed when they came out but still worth sharing before the end of year lists hit.
Original release date: 18 October 2011
When you have such a classic, long-awaited album such as Smile released why would you even need any more music that month? Well, despite trying otherwise, a few more notable releases went up on HotSpotMusic including the bewitching debut effort from Still Corners, Atlas Sound’s Parallax and the sunniest record ever to be released in November, Summer Camp’s Welcome To Condale.
Click here: HotSpotMusic. - November 2011

Wild Beasts are one of those bands who have very slowly progressed into being silently quite brilliant with each album. The British band’s sound has evolved from simple pop songs to rather complex and thoughtful compositions still backed up by the marvellous (and impressively replicable in a live setting) Jeff Buckley-style warble of lead singer Hayden Thorpe, only now with more nuance and subtlety in its delivery.
Part of the 2011 winter clearout - albums not reviewed when they came out but still worth sharing before the end of year lists hit.
Original release date: 10 May 2011

Oh Panda Bear, how were you ever supposed to live up to expectations on Tomboy? The critical success of Person PItch weighed heavily and the seemingly-forever postponed recordings (due in part to the success of Merriweather Post Pavilion and Animal Collective’s touring) that led to the release of this album 4 years later didn’t help. Tomboy is certainly not a bad record, indeed there are quite engaging tracks in there, but really not enough to keep you returning and certainly nothing nearly as inventive as he’s delivered before.
Part of the 2011 winter clearout - albums not reviewed when they came out but still worth sharing before the end of year lists hit.
Original release date: 11 Apr 2011
Two possibilities exist: Either we are alone in the Universe or we are not. Both are equally terrifying.
Genesis by Grimes
New track from Grimes, preceding her third album Visions, is as ethereal, sensual and chic as ever. Maybe moreso.
shared from exfm
Another one in my ongoing series of Reasons Why McSweeneys Rules.
Dear readers…. you may have noticed something of a winter hibernation here on HotSpotMusic. 2012 has brought about many changes and how we run HotSpotMusic will be one of them. It has always been my intention to write about music in the way that I consume it - full albums - and to find music to share with others in a simple, unpretentious way. And so it must continue.
Since I neither have the time nor energy to maintain the both the quality and quantity of output that this blog and you deserve I am forced to choose…. Therefore, from this week HotSpotMusic will continue in one of two ways:
1. If you love the current format (simple album reviews, on time and on the money) then come write for us! Demands are simple: love music, love writing and have time for both.
2. HotSpotMusic will change - I will continue to post but will increase the scope - not just album reviews but videos, playlists, single tracks, remixes and more. From all over the place too, SoundCloud, exfm, 8tracks, Spotify, Rdio and more. Reviews will be shorter but more plentiful. It won’t be the HotSpotMusic we’ve come to know, but it will still exist and maybe there will be more new music as a result.
Got an opinion on how to keep things afloat? Let me know! Otherwise, get ready for some unfiltered, unadulterated, unbelievable tunes coming your way soon.
And so it goes.
Like I said, I’m thrilled that we came together as a company to execute this plan, and I’m just as delighted that we can come together again and execute the team itself.
(I should read more McSweeneys)
My Sharona/Formed A Band. My friend Micky Ciccone made this mix up of Formed A Band and My Sharona a million years ago, even before Formed A Band came out I think. I just found it in a hard drive Keith TOTP has lent me. So I thought I would share it with you.
I wandered lonely as a cloud (Taken with Instagram at Hamburger Bahnhof -Museum Für Gegenwart)
From the album Love at the Bottom of the Sea, out March 6 on Merge Records.
http://www.mergerecords.com/store/store_detail.php?catalog_id=847
Holy guacamole. This is beautiful. (via @miquagalore via APOD: 2012 January 3 - A Full Sky Aurora Over Norway)
Family Xmas means reluctantly digging out the old board games. And I mean old: this one pre-dates the unification of Germany and the separations of Yugoslavia, Czechoslovakia and the Soviet Union. (Taken with instagram)
Look what I just found on SoundCloud: http://soundcloud.com/escort-records/escort-cam-leon-chameleon-club
Just like a forgotten cut from Off The Wall, this is funky as hell.
Fantastic collection of indie rock posters as a gift from my sister. This one is from one of my favorite songs of all time: In The Aeroplane Over The Sea by Neutral Milk Hotel (Taken with instagram)
I’m no petrolhead but that is one sexy machine from the future (Taken with Instagram at SoundCloud (UK) HQ)
One reason, then, that I would not relive my life,” he continued, “is that one cannot be born knowing such things, but must find them out, even when they then seem bloody obvious, for oneself.
Christopher Hitchens dies aged 62 | Books | guardian.co.uk
RIP Hitch - one of the most inspiring writers, orators and thinkers of our time.
Tree, line
by Zander Olsen.
Amazing.
At this century's start, leaders from every country agreed to pursue the United Nations' Millennium Development Goals. The ambition was to improve significantly the lot of the planet's most disadvantaged citizens before 2015.
Like oil and vinegar, marketing and IT just don’t mix well. But as social media flourishes and marketers try to use it to their advantage, its time to bridge the gap. Big data, cheap processing, and social media, are changing the advertising and marketing landscape.
A new rock music and pop culture website. Editorial independent music website offering news, reviews, features, interviews, videos and pictures
We take a moment to reflect on being "well-read," and on the fact that the smartest thing you can do as a consumer of culture is admit that you'll never know everything.
Martin Amis hails the peerless intelligence and rhetorical ingenuity of his exceptional friend, Christopher Hitchens
Shared by thommycTech bubbles happen, but we usually gain from the innovation left behind. This one—driven by social networking—could leave us empty-handed.
Whilst I don't completely agree with some of the sentiment in this article (social connections via the web may not be a 'technology' in the traditional sense but will prove to be just as critical a breakthrough in the development of communications despite this writer's pessimism) it's overall a very interesting and important read.
When Larry Page accepted the resignation of senior VP of product Jonathan Rosenberg on Monday, that was just beginning of a shakeup in the top ranks of Google. Page is ending his first week back as CEO by naming the senior team who each will run a different part of Google and report directly to him. If you want to know what Page's priorities will be for Google, just look at this team and the products they run: search, ads, YouTube, mobile, Chrome, and social. Team Larry consists of six key people at Google: Andy Rubin (Senior Vice President of Mobile), Salar Kamangar (Senior Vice President of YouTube and Video), Vic Gundotra (Senior Vice President of Social), Sundar Pichai (Senior Vice President of Chrome) Alan Eustace (Senior Vice President of Search), and Susan Wojcicki (Senior Vice President of Ads). Each will run their respective parts of Google independently, with a direct line to Page. After all, extra layers of management just get in the way.
It is 30 years since Brixton was torn apart by riots. Today it is a place transformed – but drastic cuts and rising unemployment are threatening its renaissance. By Peter Walker
After having been a tech executive for many years, I needed to take a break, and I wanted to give back to society. Duke University engineering dean Kristina Johnson gave me a great spiel about how the school’s Masters of Engineering Management program churns out great engineers, and how engineers solve the world’s problems. She said that I could make a big impact by teaching engineering students about the real world and encouraging them to become entrepreneurs. I felt so excited that I joined the university without even asking for a proper salary. That was in 2005. I was shocked—and upset—when the majority of my students became investment bankers or management consultants after they graduated. Hardly any became engineers. Why would they, when they had huge student loans, and Goldman Sachs was offering them twice as much as engineering companies did? So when the investment banks tanked in 2008, I cheered because engineering had become sexy again for engineering grads (read my BusinessWeek column). But thanks to the hundred-billion-dollar taxpayer bailouts, investment banks recovered and went back to their old, greedy ways. And they began offering even more money to engineering grads (and themselves).
Simon Jenkins: Berlin's revival is symbolic of the country's new role as generous leader of ever-closer union
BBC Sound Of 2011 runner-up's sound is minimal, melancholy and magnificent, even if Feist, Gonzales and Portishead have expressed misgivings
A magazine recently declared Berlin's NoTo neighbourhood a new hot spot, but they missed a key detail, writes Roger Boyes, correspondent for British daily The Times. Soon it will be teeming with spooks from the federal intelligence agency.
There was an outpouring of grief this week when the White Stripes announced they were to split. Stevie Chick explains their magic while photographer Ewen Spencer talks about working with them
Flickr, while a popular site for avid photographers, is facing a stiff challenge from Facebook and its simple services for sharing snapshots.
The Guardian's man in Cairo tells of his beating and arrest at the hands of the security forces
Renting, not owning, is this century's American dream. You’ll save money, feel happier, and have the world at your service.
Telegraph tapes dismissed as 'pretty lame stuff' but Lib Dem leader fears public will lose respect for coalition
Nick Clegg's aides say he has become increasingly irritated at the way Liberal Democrat ministers have been found complaining about aspects of coalition policy.
The deputy prime minister is to urge his parliamentary colleagues to recognise that the stability of the coalition will be damaged unless greater discipline is shown in discussing disputes. He will tell them he has no qualms about the Liberal Democrat party claiming credit for its successes, but only once announced.
Clegg is convinced that the public will respect the coalition less if Lib Dem ministers are either moaning, highlighting friction or lording it over their partners. Trust between the two parties, a prerequisite for a functioning coalition, would also be sapped.
At the same time his aides say damage from the undercover constituency tape recordings made by the Daily Telegraph of disgruntled Lib Dem ministers has not been massive. One said: "It is pretty lame stuff and looks well within the boundaries of the Geneva convention in comparison with what went on inside the Blair government between 2001 and 2006."
Quoting the Liberal Democrat eminence grise, Lord Jenkins, the aide added: "All government are coalitions, overt or covert, and overt ones tend to be more healthy."
Clegg's critics in the party say that in his pursuit of coalition stability, he has tipped too far in one direction excessively celebrating the common ideological lineage between himself and David Cameron over issues ranging from fiscal policy and public services to the "big society".
Some of this criticism reflects ideological differences within the Lib Dems, but it is also a tactical argument about managing the coalition and retaining identity, something the party leadership admits is a delicate balancing act. This debate over tactics and preserving identity has been bubbling inside the party for months, inevitably intensifying as its popularity slides in the polls.
The most extreme call to do more to distinguish the party from the Tories was put by Adrian Sanders, the MP for Torbay. He said he supported the coalition programme, but criticised a leadership that "seems keener on impressing the Conservatives as to how much we can be relied upon to take 'tough' decisions, than on asserting how much the Conservatives need us in order to remain in government". He described the Tories as the enemy, and spoke of a demoralised party, angry at the extent to which Clegg does not see politics in the same way.
In one of the Telegraph tapes, Edward Davey, the business minister, reflected a similar if milder frustration, saying: "What I hope is that we had the love-in and that we can begin to assert our identity a little more clearly. We are asserting our identity internally, but I absolutely agree with you, and I have said this to colleagues, we have to assert our identity more publicly, that we are an independent party kicking for our values."
The point was also made by the business secretary, Vince Cable, in his speech to the Lib Dem conference in the autumn. He said: "To hold our own, we need to maintain our party's identity and our authentic voice. We had to go through a merger to found our party. We'll never merge again."
Clegg argues that the great strategic prize is to show that coalition politics works – something, judging by the polls, the public still believe. Repeatedly accentuating differences will only alienate voters. He partly bases his views on a study of successful European coalitions, including in the Netherlands and Belgium.
Clegg has been influenced by Lousewies van der Laan, a former Dutch Liberal leader and European parliament colleague. At a seminar in Westminster in November, she set out the dos and don'ts of coalition. It did not work to behave like a mayor in wartime during an occupation, complaining it was terrible but at least we had some power, she said. Equally, showing your battle wounds did not impress voters. A current Clegg adviser was more succinct: "Yes we can advertise our wins, but we have to be careful which ones and be aware every time of the impact on the Tory right. But this is a long haul, and this episode has shown us the importance of being disciplined and being even more ready for attacks."
Ten years after OK Computer shocked the world, Radiohead released In Rainbows on October 10 (10/10). Though no one was expecting the album to be released until
The man behind Wikileaks is a hero of journalism. He should be respected by the Obama Administration -- and celebrated by other reporters.